THE NEW YORK TIMES PRESENTS: STOP THE PRESSES

​

October 16-18, 2026

Metrograph(7 Ludlow St.) 

 

맨해튼의 예술영화관 메트로그라프(Metrograph)에서 뉴욕타임스(The New York Times)의 창간 175주년을 맞아 10월 16일부터 18일까지 언론인들의 이야기를 다룬 영화 4편을 상영하는 '보도지침: 인쇄를 멈춰라(Stop The Presses)'를 연다. 

 

상영 영화는 '모두가 대통령의 사람들' '올모스트 페이머스' '브로드캐스트 뉴스' '인사이더' 그리고 '패럴랙스 뷰' 등 5편이다.  

 

상영회엔 워터게이트 취재로 퓰리처상을 수상한 칼 번스타인, LA 클리퍼즈의 연봉 문제로 퓰리처상을 수상한 파블로 토레를 비롯, 로웰 버그만, 매기 하버만과 숀 맥크리시, 나탈리 키트로에프와 마이클 바바로, 존 카라마니카와 조 코스카렐리 등 언론인과 팟캐스트 진행자들이 토론회를 연다. 

 

“기자는 수십 년 동안 영화계의 단골 소재였다. 특종을 쫓고 권력자들의 책임을 묻기 위해 싸우는 용감한 기자를 중심으로 한 드라마는 흔히 등장한다. 하지만 20세기 영화 제작자들이 증명했듯이, 저널리즘은 로맨틱 코미디, 정치 스릴러, 성장 이야기 등 다양한 장르를 아우르는 생동감 넘치는 소재가 될 수 있다. 뉴욕타임스는 175년 동안 현장 취재를 통한 사실 보도를 고수해 왔다. 역사와 문화 속에서 저널리즘이 차지하는 역할, 그리고 보도국과 스크린을 채우는 다채롭고 복잡한 인물들을 기리는 자리에 여러분을 초대한다.” 

—뉴욕 타임스

 

 

 

Celebrating its 175th Anniversary, The New York Times Selects Five Revealing, Idiosyncratic, and Nostalgic Films About Chasing the Truth

​

With Special Guests Pulitzer Prize-Winning Reporter & Podcast Host Pablo Torre, Journalists Carl Bernstein and Lowell Bergman, White House Correspondents Maggie Haberman and Shawn McCreesh, The Daily's Natalie Kitroeff and Michael Barbaro, and Popcast co-hosts Jon Caramanica and Joe Coscarelli 

​

 

The New York Times Presents: Stop The Presses, beginning October 16 at Metrograph In Theater.

 

To mark its 175th anniversary, The New York Times has selected five revealing, idiosyncratic and nostalgic films about chasing the truth, no matter where it leads. Titles include Cameron Crowe’s film à clef about life on the tour bus as a teen rock journo, Almost Famous; Michael Mann’s white-knuckle whistleblower-against-the-world drama, The Insider; James A. Brooks’s charming, hilarious, and bittersweet press bureau love triangle, Broadcast News, and more.

​

“The journalist has been a fixture in cinema for decades. Drama surrounds an intrepid reporter, hot on the trail of a big scoop, fighting to hold the powerful to account. But as 20th-century filmmakers proved, journalism can equally animate romantic comedies, political thrillers, and coming-of-age stories. For 175 years, The New York Times has stood for first-hand, fact-based reporting. Join us for a tribute to journalism’s role in history and culture—and to the colorful, complicated characters who fill our newsrooms and our screens.” —The New York Times

​

The New York Times Presents: Stop The Presses runs from October 16 to October 18, with select encore screenings to follow.

 

Titles include All the President's Men, Almost Famous, Broadcast News, The Insider, and a Members Only screening of The Parallax View.

​

In addition to the In Theater program, On the Record, a double-bill of thematically linked films picked by our programmers, begins streaming on Metrograph At Home on October 1. Titles include Reality Winner and This Is Not a Movie.

 

 

모두가 대통령의 사람들 ALL THE PRESIDENT'S MEN

dir. Alan J. Pakula, 1976, 138 min, 4K DCP

 

Robert Redford and Dustin Hoffman star as newsmen Carl Bernstein and Bob Woodward in Pakula’s riveting retelling of the startling series of true events whereby the assignment of two Washington Post reporters to investigate the suspiciously urgent Republican response to what appears to be just an amateurish break-in at the Democratic Party National headquarters at the Watergate Hotel would lead to the toppling of a president. The process of investigative journalism rendered as high drama, its unerring eye for realistic detail extending to a scrupulous reproduction of the Post’s newsroom floor.

​

“A spellbinding detective story about the work of the two Washington Post reporters who helped break the Watergate scandal, a breathless adventure that recalls the triumphs of Frank and Joe Hardy in that long-ago series of boys’ books, and a vivid footnote to some contemporary American history that still boggles the mind.”

—Vincent Canby, The New York Times

​

Q&A with journalist Carl Bernstein and Maggie Haberman, White House correspondent for The New York Times, moderated by The Daily co-host Natalie Kitroeff on Sunday, October 18.

 

올모스트 페이머스 ALMOST FAMOUS

dir. Cameron Crowe, 2000, 124 min, 4K DCP

 

Before breaking into movies with his screenplay for Fast Times at Ridgemont High, Cameron Crowe was a teenage journalist with a regular byline in Rolling Stone magazine in the hedonistic early 1970s, and he draws from a deep well of memories of those pot-hazy days in his poignant-funny, semi-autobiographical Almost Famous, starring Patrick Fugit as a fresh-faced rock rag writer on the road with hesher idols Stillwater, Kate Hudson as road-warrior Stillwater superfan “Penny Lane,” and Philip Seymour Hoffman as an impassioned, opinionated, marvelously disheveled Lester Bangs.

​

“In Almost Famous, a loose, affectionate look back on his earlier career as a teenage music journalist, Mr. Crowe has devoted a whole movie to the love of rock 'n' roll. The soul he lays open—a sweet, forgiving and generous one—is his own … He may be the least cynical director working in Hollywood today.”

—A.O. Scott, The New York Times

​

Introduction by Popcast co-hosts Jon Caramanica and Joe Coscarelli on Friday, October 16.

 

브로드캐스트 뉴스 BROADCAST NEWS

dir. James L. Brooks, 1987, 133 min, DCP

 

Imagined by writer-director Brooks as a romantic comedy with a “new kind of heroine,” his follow-up to the wildly successful Terms of Endearment focuses on a love triangle between brilliant, career-driven television news producer Jane Craig (Holly Hunter); her conscientious but camera-shy colleague, Aaron (Albert Brooks); and telegenic station newcomer Tom (William Hurt), the two men competing for an anchor job and the attentions of the disarmingly intense Jane.

​

“In his first film since his Oscar-winning Terms of Endearment, Mr. Brooks goes inside the offices and studios of the Washington bureau of a national television network to show us how things work. As exposes go, Broadcast News is gentle. It's far more amused than angry. Its wit is decently humane.”

—Vincent Canby, The New York Times

​

Introduction by Michael Barbaro, founding host of The Daily, on Saturday, October 17.

 

인사이더즈 THE INSIDER

dir. Michael Mann, 1999, 157 min, 35mm

 

Mann’s white-knuckle drama of white-collar whistleblowing and callous boardroom skullduggery stars Russell Crowe as tobacco industry research scientist Dr. Jeffrey Wigand and his Heat star Al Pacino as the 60 Minutes producer desperate to get the good doctor to spill his secrets on air, leading to a clash of corporate titans between Brown & Williamson tobacco and CBS News. Media manipulation, profits over people, and businesses operating like rogue states—Mann didn’t invent the 21st century, but he sure saw it coming.

​

“Once Hollywood had a favorite folk tale: that the lone truth teller battling political or corporate evil would triumph, however bitterly, when the facts became known. But in the chillingly contemporary world of The Insider it's not that simple. Almost every character in the story is compromised by business considerations. And in the film's vision of television news reporting, moral relativism is a big part of playing the game.”

—Janet Maslin, The New York Times

​

Q&A with investigative journalist Lowell Bergman, portrayed by Al Pacino in the film, and Pulitzer Prize-winning reporter and podcast host Pablo Torre on Saturday, October 17.

 

*Members Only:

암살단 THE PARALLAX VIEW

dir. Alan J. Pakula, 1974, 102 min, DCP

 

After an ex-girlfriend comes to him with an eyewitness report on the assassination of a sitting US senator at the Seattle Space Needle that contravenes the official story, investigative reporter Warren Beatty follows a thread that leads him to the shadowy Parallax Corporation, a sinister, secret right-wing organization specializing in agitprop brainwashing and political hits who will stop at nothing to retain a grip on the levers of power.

​

“It's difficult not to feel a certain amount of suspense when you see a man standing below a huge hydroelectric dam, as blandly unaware of danger as a nearsighted pigeon walking across the Belt Parkway. The man doesn't know that at any minute several hundred thousand tons of water are going to come roaring out of the spillway, most likely onto his head … The suspense comes from wondering how he's going to escape, as in old‐time movie serials.”

—Vincent Canby, The New York Times

​

Introduction by White House correspondent Shawn McCreesh on Sunday, October 18.

https://metrograph.com