CulBeat Express
2017.09.04 13:10
뮤지컬 'K팝(K-Pop)' 오프오프 브로드웨이 공연(9/5-10/7)
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ARS NOVA
IN ASSOCIATION WITH MA-YI THEATER COMPANY + WOODSHED COLLECTIVE PRESENTS
KPOP
CONCEIVED BY WOODSHED COLLECTIVE + JASON KIM
BOOK BY JASON KIM
MUSIC & LYRICS BY HELEN PARK + MAX VERNON
IMMERSIVE DESIGN BY WOODSHED COLLECTIVE
CHOREOGRAPHED BY JENNIFER WEBER
DIRECTED BY TEDDY BERGMAN
This production was made possible in part by assistance from Tim Forbes
LIMITED ENGAGEMENT! SEPTEMBER 5 – OCTOBER 7, 2017
MON-WED @ 7PM | THU-SAT @ 8PM | + SELECT 3PM SHOWS
@ A.R.T./NEW YORK 502 WEST 53RD ST.
KPOP IS HERE AND AMERICA WILL NEVER BE THE SAME. CLAIM YOUR EXCLUSIVE, ALL-ACCESS PASS AND IMMERSE YOURSELF IN THE KOREAN POP MUSIC FACTORY WHERE STARS ARE MADE… OR BROKEN.
TIX INFO:
REGULAR TIX $45. PREMIUM TIX $75.
Premium ticket holders receive expedited, concierge service during their guided immersive experience and access to VIP-only prime locations within the k-pop music factory.
COME EARLY + SAVE
Ars Nova’s Tix Initiative, generously supported in part by the NYC Dept. of Cultural Affairs, underwrites the cost of tix for all performances allowing us to deeply discount our early performances, and make theater accessible to the next generation of theater-goers:
SEPTEMBER 5 – 9 • $25 • USE CODE: KPOPSICLE
SEPTEMBER 11 – 16 • $35 • USE CODE: LOLLIPOP
Featuring JULIA ABUEVA, CATHY ANG, DEBORAH S. CRAIG, KATIE LEE HILL, JOOMIN HWANG, JINWOO JUNG, VANESSA KAI, JIHO KANG, DEBORAH KIM, SUSANNAH KIM, ASHLEY PARK, SUN HYE PARK, JAMES SAITO, JAMES SEOL, DAVID SHIH, JASON TAM, EBONY WILLIAMS, JOHN YI
This show moves and so will YOU! All audience members will be standing, walking, climbing stairs and dancing! We strongly suggest wearing comfortable shoes.
For your convenience and the safety of the performers, there will be a mandatory, complimentary coat-check.
There is no late-seating or re-entry. Please arrive early, use the restroom and take advantage of the cheapest drinks in midtown!
KPOP is wheelchair accessible. If you require accessible seating or have mobility issues, please purchase Wheelchair Accessible tickets. Please note, there is no Transfer Arm Seating for this production. If you have questions about accessibility, please reach out to Christopher Pritchard.
KPOP IS A WORLD PREMIERE
ABOUT ARS NOVA
Ars Nova is committed to developing and producing theater, comedy and music artists in the early stages of their professional careers. Our unique development programs are designed to support cross-pollination and outside-the-box thinking to encourage innovative work. Dubbed by The New York Times as a “fertile incubator of offbeat theater,” Ars Nova blurs genres and subverts the status quo. With our feverish bounty of programming, we are the stomping ground and launching pad for visionary, adventurous artists of all stripes. By providing a safe environment where risk-taking and collaboration are paramount, Ars Nova gives voice to a new generation of artists and audiences, pushing the boundaries of live entertainment by nurturing creative ideas into smart, surprising new work.
Ars Nova has been honored with an OBIE Award and a Special Citation from the New York Drama Critics’ Circle for sustained quality and commitment to the development and production of new work. Notable past productions include: “Best New American Theatre Work” OBIE Award-winner & New York Times’ “Best of 2016” Underground Railroad Game by Jennifer Kidwell and Scott R. Sheppard with Lightning Rod Special (now on international tour); Outstanding Musical Lortel Award-winner Futurity, by César Alvarez with The Lisps; the New York Times’ and New York Post’s “Best of 2015” Small Mouth Sounds by Bess Wohl (now touring the US after a return engagement Off Broadway); Time Out New York’s “Best of 2014,” JACUZZI by The Debate Society; the Tony award-winning smash-hit Natasha, Pierre & The Great Comet of 1812 by Dave Malloy (now on Broadway); Jollyship the Whiz-Bang by Nick Jones and Raja Azar; the world premiere of the 2009 season’s most-produced play boom by Peter Sinn Nachtrieb and directed by Alex Timbers; audience favorite Dixie’s Tupperware Party by Kris Andersson; the show that put Bridget Everett on the map, At Least It’s Pink, by Everett and Kenny Mellman; and Lin-Manuel Miranda’s and Thomas Kail’s first New York production, Freestyle Love Supreme, by Anthony Veneziale and Miranda.
